In this way, he hoped to arouse in the spectator the metaphysical feeling of the strangeness of existence which would be lost forever in the mechanized routine of the perfect anthill society of the future.
Art, for Witkacy, meant the creation of form, and theatre should be not a means of expression, but a construct in which the actor could function as a pure instrument rather than as a register of experiences, as was the aim of Stanislavsky and his disciples Both the conservative critical establishment and the left-leaning Futurists (the largest Polish avant-garde formation) refused to accept either Witkacys plays or his theories.
The theatre critics claimed that his plays made no sense at all, while the Futurists found, on the contrary, that they made far too much sense. Witkacy maintained that the wrong people were writing for the stage; not professional men of the theatre, but children and painters should become playwrights, he argued. Through the theory and practice of Pure Form, Witkacy hoped to restore to the overly rationalized stage of realism the magical perceptions of childhood and the modern painters sense of color and shape. free credit report all three The theatre would thus become credit report free Utah an autonomous art with a scenic language of its own. For the materials of his dramas, Witkacy credit report free Utah was wildly eclectic in his borrowings and appropriations. He constantly blurred the borders separating popular culture and high art and had recourse to the low genres of melodrama, farce, and science fiction, and he utilized the materials of popular entertainments, such as adventure stories, pulp romances, spy thrillers, and yellow peril tales of horror. He frequently turned to the classicsShakespeareas well as to modernist literatureConradand also showed a fondness for childrens literatureStevensons Kidnapped and Treasure Island. His favorite dramaturgical device was the risen corpse, which sabotaged the rules of drama by allowing the dead to return to life nonchalantly, as though nothing had happened. free credit report for all 3 bureaus He treated theatre, including his own irreverently, and he self-parodied the shibboleths of modernism on which he had been nurtured,Because his idiom was utterly idiosyncratic, Witkacy has had no followers or imitators. In 1923 Witkacy entered into marriage with the aristocratic Jadwiga Unrug according to a pre-arranged plan guarantying each complete freedom, Although they lived apartshe in her Waraw apartment, he with his mother in ZakopaneJadwiga proved a good friend and intelligent helper. During the sixteen years that they were married, Witkacy wrote to her three or for times a week and was totally dependent on her for the organization of his literary career. The year 1924 was a turning point in Witkacys career.
After having spent more than six years attempting to provide models credit report free Utah for Pure Form in painting and theatre without having any impact on the artistic community, he now abandoned painting as a pure art and devoted himself exclusively to portraits as a commercial or applied art. In 1925 he established the Witkiewicz credit report free Utah Portrait-Painting Firm, a mock capitalist enterprise designed to distance the artist from the demeaning hack-work he was compelled to do for money, and he published the Rules of the Firm in 1928. credit report free annual
Misunderstandings are ruled out, indicates the proprietors ironic credit report free Utah attitude toward the public. Prices varied according the degree of deformation requested and the kinds of drugs credit report free Utah the artist had taken. Witkacy was a pioneer in his experimentation with drugs and their effect on the creative process; he indicated on the canvas the dosages of narcotics credit report free Utah and alcohol that he had used.
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